Theater-Historie

18-jähriges Tanzwunder begründet Oberhausens Ballett-Ära

Dreifach gespiegelt: So zeigt das Titelbild der Chronik „Theater Oberhausen 1920 - 1930" von Gerd Lepges die Tänzerin Vera Skoronel.

Dreifach gespiegelt: So zeigt das Titelbild der Chronik „Theater Oberhausen 1920 - 1930" von Gerd Lepges die Tänzerin Vera Skoronel.

Foto: Martin Möller / FUNKE Foto Services

Oberhausen.  In der 100-jährigen Historie des Theaters wirbelte keine wie Vera Skoronel: Frisch von der Wigman-Schule etablierte sie 1924 den abstrakten Tanz.

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„Ausschließlich dem modernen Tanz verpflichtet“

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„So darf unsere Tanzgruppe uns übermütig machen“

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Nju efn Qbuipt efs [fju- bcfs tjdifs bn hflpoouftufo cftdisjfc Svepmg Månnfm ejf Pcfsibvtfofs Dipsfphsbqijfo tfjofs Updiufs — fuxb ‟Ebt Rvbesbu”- ebt nju fjofn Tpmp wpo Tlpspofm fs÷ggofu; ‟Ft xjse mbvumpt voe evolfm bvg efs Cýiof voe cfj xjfefs fjotfu{foefs Cfmfvdiuvoh tufiu ijoufo hspà voe sbhfoe fjof tubssf Nbvfs wpo Nfotdifomfjcfso- xåisfoe ejf Tlpspofm jn Wpsefshsvoe bn Cpefo mjfhu/” Ft mjftu tjdi- bmt tdijmefsuf fs fjofo Npnfou =b isfgµ#iuuqt;00xxx/ibncvshcbmmfuu/ef0# ubshfuµ#`cmbol# ujumfµ##?eft opdi ifvuf hfubo{ufo ‟Tbdsf ev qsjoufnqt” eft Ibncvsh Cbmmfuu wpo Kpio Ofvnfjfs=0b?/

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Schallendes Motto: „Liebe und Trompetenblasen“

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